Cameras and lenses used in Oscar 2019 nominated films

· 345 words · about 2 minutes

ROME

Directed by: Alfonso Cuarón

Cinematography: Alfonso Cuarón

Cameras: ARRI Rental ALEXA 65

Lenses: Prime 65 Lenses

Specifications: Filmed in ArriRaw 6.5K

THE FAVOURITE

Directed by: Yorgos Lanthimos

Cinematography: Robbie Ryan

Cameras: Arricam LT Panavision Panaflex Millennium XL2

Lenses: Panavision PVintage Nikon Nikkor

Specifications: Filmed in 35mm Kodak

A STAR IS BORN

Directed by:

Bradley Cooper

Cinematography:

Matthew Libatique

Cameras:

Arri Alexa Mini

Lenses:

Cooke Anamorphic/i SF Camtec Vintage Series

Kowa Cine Prominar

Angenieux Optimo Anamorphic 30-72 and 56-152

Specifications:

Filmed in ArriRaw 3.4K

VICE

Directed by:

Adam McKay

Cinematography:

Greig Fraser

Cameras:

Arricam LT

Arriflex 235

Arriflex 416

Arriflex 435

Bolex Camera

Lenses:

Cooke Anamorphic/i

Todd-AO

Zeiss Super Speed

Angenieux HR

Zeiss Ultra 16

Specifications:

Filmed in 16 mm (Kodak Vision3 500T 7219), 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) and 8 mm (Kodak Vision3 500T 5219)

BLACK PANTHER

Directed by:

Ryan Coogler

Cinematography:

Rachel Morrison

Cameras:

Arri Alexa XT Plus

Lenses:

Panavision Primo Lenses

Specifications:

Filmed in ArriRaw 3.4K

BOHEMIAN RHAPSODY

Directed by:

Bryan Singer

Cinematography:

Newton Thomas Sigel

Cameras:

Arri Alexa 65

Arri Alexa SXT

Lenses:

Hasselblad Prime DNA

Prime 65-S

Cooke Speed Panchro

Arriflex 35 BL

Specifications:

Filmed in ArriRaw 6.5K and 3.4K

GREEN BOOK

Directed by:

Peter Farrelly

Cinematography:

Sean Porter

Cameras:

Arri Alexa Mini

Lenses:

Leica Summilux-C

Specifications:

Filmed in ArriRaw 3.4K

BLACKKKLANSMAN

Directed by:

Spike Lee

Cinematography:

Chayse Irvin

Cameras:

Aaton Penelope

Aaton XTR Prod

Arricam LT

Panavision Panaflex Millennium XL2

Lenses:

Zeiss Master Prime

Panavision Super Speed MKII

Ultra Speed MKII

PVintage Lenses

Specifications:

Filmed in 16 mm (Eastman Double-X 7222) and 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219, Eastman Double-X 5222, Ektachrome 100D 5285)

COLD WAR

Directed by:

Pawel Pawlikowski

Cinematography:

Lukasz Zal

Cameras:

Arri Alexa XT

Lenses:

Cooke S5

Zeiss Ultra Prime

Angenieux Optimo

Specifications:

Filmed in ArriRaw 3.4K

NEVER LOOK AWAY

Directed by:

Florian Henckel von Donnersmarck

Cinematography:

Caleb Deschanel

Cameras:

Arri Alexa XT Plus

Lenses:

Zeiss Master Prime Lenses